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Published at 3rd of November 2021 09:51:09 AM


Chapter 1086: 1086

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For any beginner learning acting, the first class is similar, letting go; if necessary, the core ideas of the first month's basic class are the same.

Because acting is actually a very shameful thing. They need to stand in front of strangers, immerse themselves in their own world, joy and compassion, great ups and downs.

You may play a character that is completely opposite to your personality, rolling all over the street; you may also have a character exactly like yourself, showing your inner emotions; you may also be awkward and embarrassed to present an ancient situation a few centuries ago, The content and expression of the words are embarrassing.

Imagine standing on the stage in the West End of London, stripping off all the masks and skins, and presenting the life of a madman or a poet. This is not a difficult task, because the stage creates enough environment and space to let everything All become reasonable.

But, what about the same performance placed in front of the camera? Placed in front of a group of strangers? Furthermore, what about placing it on a street where people come and go? In the real world, the sense of drama that is divorced from reality is presented. The embarrassment and jerky that fits in is really daunting.

Even if they are old drama players who have been on the stage for many years, they still need psychological adjustment; let alone the novices who have just entered the industry.

Therefore, the first class of the introductory class of acting is to let the novices put down their defenses, put down their restraints, put down their masks, truly relax themselves, put shame and embarrassment aside, completely ignore the eyes of others, and immerse themselves in their own world. At the moment they enter the world of performance, they should learn to break away from reality, enter the performance, and enter the role.

Freeing oneself, for normal people, may be derogatory; but for actors, it is commendatory. Therefore, people always say that, in fact, actors are lunatics, and they are also crazy. To some extent, this is correct, because they need to let go of themselves and let go of their sanity.

This is the first lesson of getting started.

I have often heard that in the first performance class, novices are often required to imitate various animals. The easier ones are lions and puppies, and the more difficult ones may be red-crowned cranes and Zhiguo.

In the eyes of many people, this is just a mischief, not only shame, but also mentally retarded.

An adult is lying on the ground, simulating the movements and sounds of animals, like a four or five-year-old child. This does not have any technical content. Many people will even become angry after being unable to get rid of the embarrassment, thinking that such an acting class is completely deceptive.

But in fact, even in top formal acting schools, this is a compulsory course.

First, the first step in performance is to imitate. Every performer starts from imitating and gradually develops his own style; second, the original intention of imitating animals is to put down one's own shelf and mask, and put down one's own reservedness. And shame, find your own natural state.

Every actor is like this.

The focus is on imitation, but also on getting rid of one's own restraint and restraint through imitating, and even the need to get rid of one's own shame. Those actors who can't let go during the performance, those who are burdened by idols, they can't become a real actor after all, they can only become a superficial humanoid panel.

Lan Li still clearly remembers that after the performance class of the first week of enrollment, the students were divided into different groups and practiced under the leadership of the teacher: they would come to a different public occasion and sample different The performance topic must then be executed on site.

The first student, the title of the performance was "Rattlesnake in the quagmire/begging/happiness".

Whether the topic conforms to the logic of reality is not important; what is important is that the performer must complete the topic. When the teacher read out the content of the topic, all the students, including Lan Li, looked at each other and began to conceive in their own minds how to present them if they were performed by themselves. There is no correct answer, only the answer that suits you.

Every topic is a bomb of stigma, and no one can make an exception. The first classmate is just the beginning.

At that time, Lan Li picked up the title, "An ostrich on the snowy field with anger."

Just reading the title is jaw-dropping and clueless, but it is the first part of the introduction to acting.

This is not the most exaggerated topic. After one month of acting class, they conducted a second field practice. Lan Li’s topic was "When Harry Meets Sally", Meg Ryan’s "Restaurant scene", according to the teacher's statement at the time, "This is actually a relatively simple subject, but the man is drawn, which means that Lan Li, you have won the jackpot."

One of the most classic scenes in "When Harry Meets Sally" is that Meg Ryan sits in a restaurant and pretends to have reached orgasm. Later, the old lady sitting next to him saw it and said The most classic line is, "I want a copy of what she ordered just now."

For women, it is not easy to perform in public on such occasions; for men, it is even more difficult.

From panic to calm thinking, to vivid imitation, this is an extremely important step; if the same topic is now given to Lan Li again, he is convinced that he can still interpret his own style, inject his own understanding, and give this Different colors in the scene, rather than simply imitating Meg Ryan.

In Lan Li's view, it was undoubtedly difficult, even difficult; but again, it was also the most beautiful period of time.

Because everything is brand new, everything is interesting, full of curiosity and exploration, carefully but gently grinding the stones across the river, with the ambivalence of fear and anticipation, tirelessly and impatiently wanting to enter the show In the world. Even if his performance is terrible, it is special.

This is an introduction and the only way for every actor.

Later, Lan Li gradually grew up, novices became veterans, veterans became professional actors, and step by step to today, he went further and further on the road of acting exploration. The performance is richer and richer in depth, and the basic skills have been quietly integrated into it, regardless of each other.

Today is special.

In the scene just tested, the content of the story was originally a stress response, showing an ordinary person's conditioned reflex in a crisis situation. Compared with performance control, getting out of control is a more satisfactory way of performing; in addition, The existence of the IRIS robotic arm magnifies this point. Under the fast-moving camera, the actor's physical reaction when staying in place becomes more prominent.

All of this has returned to the introductory stage of acting, with exaggerated performance of body language, simply and directly showing human conditioned reflex. For example, wrestling; for example, rolling.

For other movies, this performance method is too rough and too rough; but for "gravity", it is the most suitable performance, which best shows Alfonso-Caron's entire visual effects planning Performance.

In a trance, Lan Li seemed to have once again returned to the years when he had just started to learn to perform, imitating all kinds of animals, all the shame and embarrassment of wrapping himself in the shell little by little were torn apart, giving up face. Be reserved and give up the shelf and frame, really let go of your hands and feet, and put yourself in the role.

After gradually getting used to the fine performance under control, he suddenly changed to such a simple, crude and straightforward way of getting started. On the contrary, Lan Li was a little uncomfortable. He always wanted to control, but actually needed to get rid of it; he Always think about the role, but in fact need to get rid of the role.

As a result, the performance presented was funny and embarrassing. Obviously, Lan Li needs to re-adapt to a different rhythm of performance.

Thinking about it carefully, Lan Li couldn't help laughing out loud himself.

Since the "Pacific War", he has been continuously advancing on the road of acting, and gradually built up confidence in the tide of praise; he did not expect that today because of such an introductory scene, he has broken merits, as if It's like a rookie who can't perform at all, exaggerated and chaotic.

The release of that kind of complete self-releasing, I have returned to the starting point of my career and dream for a long time, and once again felt the innocent heart of that pure time.

Everyone always thinks that they can return to their original intentions, find the persistence and enthusiasm at the beginning of their dreams, and find the novelty and excitement at the beginning of life; but this is never an easy task~www.novelhall.com~ because Everyone is growing, everyone is also changing, and every bit of the past is quietly casting a brand new self.

In a trance, people have forgotten their original intentions, even if they want to go back, they can never go back. "Can't go back", this is the most regrettable and embarrassing sentence in the world. The original intention of the past disappeared in the process of growth.

But he was lucky. "Gravity" reawakened Lan Li's enthusiasm for acting; the scene just now reawakened Lan Li's original intention of acting.

Perhaps this is what makes actors special, because they always wear different masks, one of which comes from the beginning. Almost everyone is trying to forget their lush years and burn away those unbearable pasts, but Lan Li is eager to find the past again and re-recognize that young and energetic self.

That's also a part of myself.

Undoubtedly, this is really an interesting thing. Involuntarily, Lan Li just burst into laughter, sincerely.

Looking at Lan Li, who was in a relaxed and brisk mood, Rooney felt the same way, with eager excitement and excitement in her chest. Performing under the IRIS robotic arm?"

The eager eyes glowed. Although there was no direct communication, Rooney could perceive the changes in Lan Li's performance. In the faint, she also felt the mystery, and she wished she could try it herself immediately.

"I haven't finished the test yet, I want to do it again." Lan Li narrowed his smile and said proactively.

The two actors started to argue like this, like children.

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