Chapter 1145: 1145
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Everyone exchanged their sights, and there was a profound meaning hidden in their eyes that only oneself could understand. Not only the actors, but also the staff.
There are too many rumors about Lan Li in the industry, and there is too little information from Lan Li himself. The mystery brought by the asymmetry of information always makes people hold more expectations, and at the same time, there are more picky.
Especially after winning the Oscar for Best Actor, Golden Man, who broke the historical record by a large margin last year, there are more and more eye-catching eyes. What's more, Vanity Fair is originally a circle full of jealousy and speculation. The higher you stand, the greater the pressure; the more attention, the greater the prejudice.
Just now, Lan Li's distraction and calmness after being seen through, fell in the sight of everyone to explain the different taste: arrogant and arrogant? Unruly? Absent-minded? opinionated? Still losing yourself?
According to industry rumors, Lan Li is an extremely dedicated actor, but his performance just now has nothing to do with dedication. Obviously, this is another "superstar" created by an agent and a publicist using rumors. Everyone's expression reveals his own interpretation, joking and funny, ridiculous and profound.
But Lan Li didn't seem to notice these sights, and took the initiative to meet Joel's gaze, and gently closed his jaw, "Yes, in fact, I was thinking about this issue just now. The movie presents a circle. Levine went around for a long time, trying to make changes, but in the end he reluctantly returned to the original point. It seemed that he had made many attempts, but in fact nothing changed."
The commotion around gradually calmed down, and the sight of communication gradually gathered. Everyone thought that Lan Li was talking about it, but now it seems that it is obviously not.
"Levine is in a difficult life. He has been wandering, at a loss, and disorderly. He is trying to find a job to stabilize, but the restlessness and anxiety in his heart still cannot stabilize; he tries I gave up my dream, but finally returned to the original position."
"For film creation, he just goes around a circle and returns to the original point, but for performance, how the circle is circled, and what changes his mentality has during the circle are all important. Yes. I mean, are you more inclined to communicate through music? Or through performance?"
Lan Li was really thinking, and after leaving the "Gravity" crew, he began to think and really invested in a new role.
Undoubtedly, this is the most special role in all Renly's performance experience: because Levine Davis is an unchanged role.
Even in "Buried alive" and "Gravity" movies that are trapped in a day’s time, the characters have a fierce process of psychological ups and downs and mental changes; this is especially true for other works, in the development of the story. In the context, the status of the role is constantly changing, which also presents a curve that connects the actors' performance context.
Just like in the ninth episode of the "Pacific War", Eugene first met a baby and then a dying corpse. This was a turning point, a turning point in his mentality.
But the "Drunk Country Folk Song" is not. Levine is always in the same state, spinning around, going around or staying in place. From the beginning of the movie to the end of the movie, his mentality, emotions, and state are just generated. After the slight ups and downs, it didn't really change, just like a trapped beast.
The Coen brothers hope to present such a state.
For actors, this is a serious challenge. It can be simply considered that there is no performance crutches.
What is a walking stick?
In fact, it is the emotional explosion point, or the performance leveraging point, anger, pain, happiness, joy, sadness, any intense ups and downs of emotions can become a flash point, cancer in the "anti-cancer me", "love crazy" The parting in "Liao", the death in "Transcendence", and so on.
For the college, what they like most and appreciate most is this kind of bursting moment. Every year at the awards ceremony, the moments of nomination for the four major performance awards, the editing will always be such a moment, which fully and prominently presents the actors' "performance power".
Objectively speaking, this is also the favorite of the general public, because you can "see" acting, just like dog blood, you can clearly see the powerful power that bursts out in an instant, bringing shock and amazement.
But for actors, if they blindly pursue performance crutches, they will gradually fall into the shackles and fall into the shackles of performance. Not only will they not be able to break through, but they will slowly regress. Leonardo DiCaprio is the most famous representative.
People have wondered, why Leonardo has worked so hard for so many years, but still can't win the favor of the college? Even if he succeeded in reaching the top above the eighty-eighth Oscar, it was more because his competitors still lacked the ability and capital to confront.
There are many reasons, the most important are two.
First, Leonardo’s performance must have a "crutch", the mentally retarded in "Different Sky", the rebellion in "Edge Diary", the madness in "Total Eclipse", the spirit of "Aviator" Divide, the undercover of "Infinite Walker"...Every character has more or less a violent and outspoken publicity, including the "Wilder Hunter"'s desperate avengers.
Without crutches, he seems to be incapable of acting. In works such as "Titanic", "Immunity", "Inception", "The Great Gatsby" and other works, his performances were completely swallowed. The charm of the role comes from the personal charm of the actor, while the performance completely disappears in the story and the role.
Second, it is precisely because of relying too much on crutches that Leonardo’s performance has fallen into a routine, always looking like a bitter bitter hatred, and the expression of frowning has become a symbol of the role. All the characters have become one appearance, lacking new ideas and even more lacking depth.
The only breakthrough was in "The Rescued Jiang Ge", Leonardo really burst out a trace of evil. But it is a pity that Quentin Tarantino is not a director who is good at tuning/teaching actors, and he has not been able to carry forward.
After successfully ascending the Oscar actor with "Wild Hunter" in 2015, Leonardo gradually turned behind the scenes and began to become a producer, but the actor's work has been slow.
Jennifer Lawrence, who became famous as a young man, has similar problems in a sense.
For the audience, such a performance is explosive, because they can "see" the moment of the performance; but for the actors, such a performance lacks change and depth, because there are more or less emotional outbursts. Similar characteristics.
The simplest and most intuitive example is that in 2009 and 2010, Colin Firth won the best actor Oscar nomination for his "Single Man" and "The King's Speech".
The performance of the former is introverted, while Colin is constantly retracting and pressing down, but outlines the magnificence of the undercurrent; the performance of the latter is external, and Colin needs to release more on a delicate level. , To present the frustrations and difficulties of the role.
Regardless of the ownership of the Oscar statuette, people in the industry prefer the former, while ordinary audiences prefer the latter.
Lan Li himself is no exception.
When I was a movie fan in my last life, I just liked movies and performances. Naturally, I liked those outside performances that were understandable. But after I started learning performance in this life, the process of transition from shallow to deep gradually manifested in the performance. After understanding, slowly you can taste the taste of performance more deeply.
In fact, with a cane, performance is relatively easy, because the actor knows where the explosive point and the point of leverage are; abandoning the cane, performance is extremely difficult, because the actor's inspiration for the role, the story, and even the creator And concepts must have a deep understanding, and the requirements for basic acting skills are also extremely stringent.
Similar to the role of Levine Davis, it is very common in European movies, such as "the future", such as "the summer of 1993". What Lan Li was impressed by was a collaboration between France and Canada called "Son of John".
It tells about a 35-year-old man who has never seen his father. His mother said he was only the accidental result of a one-night/love relationship, but one day, he received a call from a stranger telling him that his father had passed away. Up. He decided to go to Canada to attend the funeral. Later, he found out that his biological father was not the one who died, but the man who called him ~www.novelhall.com~ It looks like a dramatic and dramatic story. A very introverted and plain way is presented. He still wants to talk and talks. The weight of everything that is not said falls on the actor. Through his eyes and aura, the sigh and loneliness are brought out. , Bitterness, alienation, intimacy and anxiety are fully displayed, but the light weight method brings a lingering aftertaste after the end of the movie.
This is exactly what European movies are best at. It hides all the stormy waves under the calmness of the sea, seemingly calm, but the gestures of gestures and the interlocking eyes tell all the stories, truly reflecting the reflection and the aftermath. Space is left to the audience.
Now, the roles of Levine Davis and "Son of John" are somewhat similar.
In just a few days, I have experienced some stories, and my life state seems to have not changed, but my mentality and emotions are still different after all. Only I can understand the vicissitudes of life and the collapse of the earth. This is a character without a cane at all, and can only rely on the actor's understanding of the story, as well as the interpretation of the performance skills.
At the beginning of the movie, it was sad and gloomy, bitter and dull; at the turn of the movie, it was still the same; at the end of the movie, it was still the same.
The same state, just the breeze passing by, rippled, but it was fleeting and restored to its original appearance, maintained from beginning to end, calm and calm as water.
Because this is the characteristic of that era, because this is the characteristic of that wave.
In just seven days, the Coen brothers intercepted a fragment of Levine's life. It was in this state. There was no earth-shaking change and no hope of time to turn around. It started in depression and ended in depression. As a result, Lan Li ushered in the first role in his career without a crutch.
This is a great opportunity for breakthrough.
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Everyone exchanged their sights, and there was a profound meaning hidden in their eyes that only oneself could understand. Not only the actors, but also the staff.
There are too many rumors about Lan Li in the industry, and there is too little information from Lan Li himself. The mystery brought by the asymmetry of information always makes people hold more expectations, and at the same time, there are more picky.
Especially after winning the Oscar for Best Actor, Golden Man, who broke the historical record by a large margin last year, there are more and more eye-catching eyes. What's more, Vanity Fair is originally a circle full of jealousy and speculation. The higher you stand, the greater the pressure; the more attention, the greater the prejudice.
Just now, Lan Li's distraction and calmness after being seen through, fell in the sight of everyone to explain the different taste: arrogant and arrogant? Unruly? Absent-minded? opinionated? Still losing yourself?
According to industry rumors, Lan Li is an extremely dedicated actor, but his performance just now has nothing to do with dedication. Obviously, this is another "superstar" created by an agent and a publicist using rumors. Everyone's expression reveals his own interpretation, joking and funny, ridiculous and profound.
But Lan Li didn't seem to notice these sights, and took the initiative to meet Joel's gaze, and gently closed his jaw, "Yes, in fact, I was thinking about this issue just now. The movie presents a circle. Levine went around for a long time, trying to make changes, but in the end he reluctantly returned to the original point. It seemed that he had made many attempts, but in fact nothing changed."
The commotion around gradually calmed down, and the sight of communication gradually gathered. Everyone thought that Lan Li was talking about it, but now it seems that it is obviously not.
"Levine is in a difficult life. He has been wandering, at a loss, and disorderly. He is trying to find a job to stabilize, but the restlessness and anxiety in his heart still cannot stabilize; he tries I gave up my dream, but finally returned to the original position."
"For film creation, he just goes around a circle and returns to the original point, but for performance, how the circle is circled, and what changes his mentality has during the circle are all important. Yes. I mean, are you more inclined to communicate through music? Or through performance?"
Lan Li was really thinking, and after leaving the "Gravity" crew, he began to think and really invested in a new role.
Undoubtedly, this is the most special role in all Renly's performance experience: because Levine Davis is an unchanged role.
Even in "Buried alive" and "Gravity" movies that are trapped in a day’s time, the characters have a fierce process of psychological ups and downs and mental changes; this is especially true for other works, in the development of the story. In the context, the status of the role is constantly changing, which also presents a curve that connects the actors' performance context.
Just like in the ninth episode of the "Pacific War", Eugene first met a baby and then a dying corpse. This was a turning point, a turning point in his mentality.
But the "Drunk Country Folk Song" is not. Levine is always in the same state, spinning around, going around or staying in place. From the beginning of the movie to the end of the movie, his mentality, emotions, and state are just generated. After the slight ups and downs, it didn't really change, just like a trapped beast.
The Coen brothers hope to present such a state.
For actors, this is a serious challenge. It can be simply considered that there is no performance crutches.
What is a walking stick?
In fact, it is the emotional explosion point, or the performance leveraging point, anger, pain, happiness, joy, sadness, any intense ups and downs of emotions can become a flash point, cancer in the "anti-cancer me", "love crazy" The parting in "Liao", the death in "Transcendence", and so on.
For the college, what they like most and appreciate most is this kind of bursting moment. Every year at the awards ceremony, the moments of nomination for the four major performance awards, the editing will always be such a moment, which fully and prominently presents the actors' "performance power".
Objectively speaking, this is also the favorite of the general public, because you can "see" acting, just like dog blood, you can clearly see the powerful power that bursts out in an instant, bringing shock and amazement.
But for actors, if they blindly pursue performance crutches, they will gradually fall into the shackles and fall into the shackles of performance. Not only will they not be able to break through, but they will slowly regress. Leonardo DiCaprio is the most famous representative.
People have wondered, why Leonardo has worked so hard for so many years, but still can't win the favor of the college? Even if he succeeded in reaching the top above the eighty-eighth Oscar, it was more because his competitors still lacked the ability and capital to confront.
There are many reasons, the most important are two.
First, Leonardo’s performance must have a "crutch", the mentally retarded in "Different Sky", the rebellion in "Edge Diary", the madness in "Total Eclipse", the spirit of "Aviator" Divide, the undercover of "Infinite Walker"...Every character has more or less a violent and outspoken publicity, including the "Wilder Hunter"'s desperate avengers.
Without crutches, he seems to be incapable of acting. In works such as "Titanic", "Immunity", "Inception", "The Great Gatsby" and other works, his performances were completely swallowed. The charm of the role comes from the personal charm of the actor, while the performance completely disappears in the story and the role.
Second, it is precisely because of relying too much on crutches that Leonardo’s performance has fallen into a routine, always looking like a bitter bitter hatred, and the expression of frowning has become a symbol of the role. All the characters have become one appearance, lacking new ideas and even more lacking depth.
The only breakthrough was in "The Rescued Jiang Ge", Leonardo really burst out a trace of evil. But it is a pity that Quentin Tarantino is not a director who is good at tuning/teaching actors, and he has not been able to carry forward.
After successfully ascending the Oscar actor with "Wild Hunter" in 2015, Leonardo gradually turned behind the scenes and began to become a producer, but the actor's work has been slow.
Jennifer Lawrence, who became famous as a young man, has similar problems in a sense.
For the audience, such a performance is explosive, because they can "see" the moment of the performance; but for the actors, such a performance lacks change and depth, because there are more or less emotional outbursts. Similar characteristics.
The simplest and most intuitive example is that in 2009 and 2010, Colin Firth won the best actor Oscar nomination for his "Single Man" and "The King's Speech".
The performance of the former is introverted, while Colin is constantly retracting and pressing down, but outlines the magnificence of the undercurrent; the performance of the latter is external, and Colin needs to release more on a delicate level. , To present the frustrations and difficulties of the role.
Regardless of the ownership of the Oscar statuette, people in the industry prefer the former, while ordinary audiences prefer the latter.
Lan Li himself is no exception.
When I was a movie fan in my last life, I just liked movies and performances. Naturally, I liked those outside performances that were understandable. But after I started learning performance in this life, the process of transition from shallow to deep gradually manifested in the performance. After understanding, slowly you can taste the taste of performance more deeply.
In fact, with a cane, performance is relatively easy, because the actor knows where the explosive point and the point of leverage are; abandoning the cane, performance is extremely difficult, because the actor's inspiration for the role, the story, and even the creator And concepts must have a deep understanding, and the requirements for basic acting skills are also extremely stringent.
Similar to the role of Levine Davis, it is very common in European movies, such as "the future", such as "the summer of 1993". What Lan Li was impressed by was a collaboration between France and Canada called "Son of John".
It tells about a 35-year-old man who has never seen his father. His mother said he was only the accidental result of a one-night/love relationship, but one day, he received a call from a stranger telling him that his father had passed away. Up. He decided to go to Canada to attend the funeral. Later, he found out that his biological father was not the one who died, but the man who called him ~www.novelhall.com~ It looks like a dramatic and dramatic story. A very introverted and plain way is presented. He still wants to talk and talks. The weight of everything that is not said falls on the actor. Through his eyes and aura, the sigh and loneliness are brought out. , Bitterness, alienation, intimacy and anxiety are fully displayed, but the light weight method brings a lingering aftertaste after the end of the movie.
This is exactly what European movies are best at. It hides all the stormy waves under the calmness of the sea, seemingly calm, but the gestures of gestures and the interlocking eyes tell all the stories, truly reflecting the reflection and the aftermath. Space is left to the audience.
Now, the roles of Levine Davis and "Son of John" are somewhat similar.
In just a few days, I have experienced some stories, and my life state seems to have not changed, but my mentality and emotions are still different after all. Only I can understand the vicissitudes of life and the collapse of the earth. This is a character without a cane at all, and can only rely on the actor's understanding of the story, as well as the interpretation of the performance skills.
At the beginning of the movie, it was sad and gloomy, bitter and dull; at the turn of the movie, it was still the same; at the end of the movie, it was still the same.
The same state, just the breeze passing by, rippled, but it was fleeting and restored to its original appearance, maintained from beginning to end, calm and calm as water.
Because this is the characteristic of that era, because this is the characteristic of that wave.
In just seven days, the Coen brothers intercepted a fragment of Levine's life. It was in this state. There was no earth-shaking change and no hope of time to turn around. It started in depression and ended in depression. As a result, Lan Li ushered in the first role in his career without a crutch.
This is a great opportunity for breakthrough.
Everyone exchanged their sights, and there was a profound meaning hidden in their eyes that only oneself could understand. Not only the actors, but also the staff.There are too many rumors about Lan Li in the industry, and there is too little information from Lan Li himself. The mystery brought by the asymmetry of information always makes people hold more expectations, and at the same time, there are more picky.Especially after winning the Oscar for Best Actor, Golden Man, who broke the historical record by a large margin last year, there are more and more eye-catching eyes. What's more, Vanity Fair is originally a circle full of jealousy and speculation. The higher you stand, the greater the pressure; the more attention, the greater the prejudice.Just now, Lan Li's distraction and calmness after being seen through, fell in the sight of everyone to explain the different taste: arrogant and arrogant? Unruly? Absent-minded? opinionated? Still losing yourself?According to industry rumors, Lan Li is an extremely dedicated actor, but his performance just now has nothing to do with dedication. Obviously, this is another "superstar" created by an agent and a publicist using rumors. Everyone's expression reveals his own interpretation, joking and funny, ridiculous and profound.But Lan Li didn't seem to notice these sights, and took the initiative to meet Joel's gaze, and gently closed his jaw, "Yes, in fact, I was thinking about this issue just now. The movie presents a circle. Levine went around for a long time, trying to make changes, but in the end he reluctantly returned to the original point. It seemed that he had made many attempts, but in fact nothing changed."The commotion around gradually calmed down, and the sight of communication gradually gathered. Everyone thought that Lan Li was talking about it, but now it seems that it is obviously not."Levine is in a difficult life. He has been wandering, at a loss, and disorderly. He is trying to find a job to stabilize, but the restlessness and anxiety in his heart still cannot stabilize; he tries I gave up my dream, but finally returned to the original position.""For film creation, he just goes around a circle and returns to the original point, but for performance, how the circle is circled, and what changes his mentality has during the circle are all important. Yes. I mean, are you more inclined to communicate through music? Or through performance?"Lan Li was really thinking, and after leaving the "Gravity" crew, he began to think and really invested in a new role.Undoubtedly, this is the most special role in all Renly's performance experience: because Levine Davis is an unchanged role.Even in "Buried alive" and "Gravity" movies that are trapped in a day's time, the characters have a fierce process of psychological ups and downs and mental changes; this is especially true for other works, in the development of the story. In the context, the status of the role is constantly changing, which also presents a curve that connects the actors' performance context.Just like in the ninth episode of the "Pacific War", Eugene first met a baby and then a dying corpse. This was a turning point, a turning point in his mentality.But the "Drunk Country Folk Song" is not. Levine is always in the same state, spinning around, going around or staying in place. From the beginning of the movie to the end of the movie, his mentality, emotions, and state are just generated. After the slight ups and downs, it didn't really change, just like a trapped beast.The Coen brothers hope to present such a state.For actors, this is a serious challenge. It can be simply considered that there is no performance crutches.What is a walking stick?In fact, it is the emotional explosion point, or the performance leveraging point, anger, pain, happiness, joy, sadness, any intense ups and downs of emotions can become a flash point, cancer in the "anti-cancer me", "love crazy" The parting in "Liao", the death in "Transcendence", and so on.For the college, what they like most and appreciate most is this kind of bursting moment. Every year at the awards ceremony, the moments of nomination for the four major performance awards, the editing will always be such a moment, which fully and prominently presents the actors' "performance power".Objectively speaking, this is also the favorite of the general public, because you can "see" acting, just like dog blood, you can clearly see the powerful power that bursts out in an instant, bringing shock and amazement.But for actors, if they blindly pursue performance crutches, they will gradually fall into the shackles and fall into the shackles of performance. Not only will they not be able to break through, but they will slowly regress. Leonardo DiCaprio is the most famous representative.People have wondered, why Leonardo has worked so hard for so many years, but still can't win the favor of the college? Even if he succeeded in reaching the top above the eighty-eighth Oscar, it was more because his competitors still lacked the ability and capital to confront.There are many reasons, the most important are two.First, Leonardo's performance must have a "crutch", the mentally retarded in "Different Sky", the rebellion in "Edge Diary", the madness in "Total Eclipse", the spirit of "Aviator" Divide, the undercover of "Infinite Walker"...Every character has more or less a violent and outspoken publicity, including the "Wilder Hunter"'s desperate avengers.Without crutches, he seems to be incapable of acting. In works such as "Titanic", "Immunity", "Inception", "The Great Gatsby" and other works, his performances were completely swallowed. The charm of the role comes from the personal charm of the actor, while the performance completely disappears in the story and the role.Second, it is precisely because of relying too much on crutches that Leonardo's performance has fallen into a routine, always looking like a bitter bitter hatred, and the expression of frowning has become a symbol of the role. All the characters have become one appearance, lacking new ideas and even more lacking depth.The only breakthrough was in "The Rescued Jiang Ge", Leonardo really burst out a trace of evil. But it is a pity that Quentin Tarantino is not a director who is good at tuning/teaching actors, and he has not been able to carry forward.After successfully ascending the Oscar actor with "Wild Hunter" in 2015, Leonardo gradually turned behind the scenes and began to become a producer, but the actor's work has been slow.Jennifer Lawrence, who became famous as a young man, has similar problems in a sense.For the audience, such a performance is explosive, because they can "see" the moment of the performance; but for the actors, such a performance lacks change and depth, because there are more or less emotional outbursts. Similar characteristics.The simplest and most intuitive example is that in 2009 and 2010, Colin Firth won the best actor Oscar nomination for his "Single Man" and "The King's Speech".The performance of the former is introverted, while Colin is constantly retracting and pressing down, but outlines the magnificence of the undercurrent; the performance of the latter is external, and Colin needs to release more on a delicate level. , To present the frustrations and difficulties of the role.Regardless of the ownership of the Oscar statuette, people in the industry prefer the former, while ordinary audiences prefer the latter.Lan Li himself is no exception.When I was a movie fan in my last life, I just liked movies and performances. Naturally, I liked those outside performances that were understandable. But after I started learning performance in this life, the process of transition from shallow to deep gradually manifested in the performance. After understanding, slowly you can taste the taste of performance more deeply.In fact, with a cane, performance is relatively easy, because the actor knows where the explosive point and the point of leverage are; abandoning the cane, performance is extremely difficult, because the actor's inspiration for the role, the story, and even the creator And concepts must have a deep understanding, and the requirements for basic acting skills are also extremely stringent.Similar to the role of Levine Davis, it is very common in European movies, such as "the future", such as "the summer of 1993". What Lan Li was impressed by was a collaboration between France and Canada called "Son of John".It tells about a 35-year-old man who has never seen his father. His mother said he was only the accidental result of a one-night/love relationship, but one day, he received a call from a stranger telling him that his father had passed away. Up. He decided to go to Canada to attend the funeral. Later, he found out that his biological father was not the one who died, but the man who called him ~www.novelhall.com~ It looks like a dramatic and dramatic story. A very introverted and plain way is presented. He still wants to talk and talks. The weight of everything that is not said falls on the actor. Through his eyes and aura, the sigh and loneliness are brought out. , Bitterness, alienation, intimacy and anxiety are fully displayed, but the light weight method brings a lingering aftertaste after the end of the movie.This is exactly what European movies are best at. It hides all the stormy waves under the calmness of the sea, seemingly calm, but the gestures of gestures and the interlocking eyes tell all the stories, truly reflecting the reflection and the aftermath. Space is left to the audience.Now, the roles of Levine Davis and "Son of John" are somewhat similar.In just a few days, I have experienced some stories, and my life state seems to have not changed, but my mentality and emotions are still different after all. Only I can understand the vicissitudes of life and the collapse of the earth. This is a character without a cane at all, and can only rely on the actor's understanding of the story, as well as the interpretation of the performance skills.At the beginning of the movie, it was sad and gloomy, bitter and dull; at the turn of the movie, it was still the same; at the end of the movie, it was still the same.The same state, just the breeze passing by, rippled, but it was fleeting and restored to its original appearance, maintained from beginning to end, calm and calm as water.Because this is the characteristic of that era, because this is the characteristic of that wave.In just seven days, the Coen brothers intercepted a fragment of Levine's life. It was in this state. There was no earth-shaking change and no hope of time to turn around. It started in depression and ended in depression. As a result, Lan Li ushered in the first role in his career without a crutch.This is a great opportunity for breakthrough.
