Chapter 2271: 2271
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What about the director?
Few people realize this. After all, this is a super large crew with 400 people. The sight of people coming and going and the constant stream always occupy the line of sight, wanting to notice the presence and presence of a person in the chaos Absence is indeed very difficult. Unless it's Renly Hall.
As for Garys Edwards? "Rogue One" is just his third work as a director. It is still a matte newcomer in Hollywood. That face that is still unfamiliar to the public may be submerged even if it shows up. In the turbulent crowd.
In fact, Garys Edwards never showed up from beginning to end. If it weren’t for executive producer Jason-D.-McGatlin, he had specifically found Lan Li and took Lan Li to the director’s studio to make an introduction. It is estimated that the director’s mystery will continue for some time.
Jason McGatlin is an unfamiliar face. He used to be an administrative manager. He was later promoted by Steven Spielberg and walked into the set as an executive producer. "The Adventures of Tintin" belongs to him. The first work; because of his good ability, Lucasfilm was hired to act as the studio executive of "Star Wars: The Force Awakens". "Rogue One" is only his fourth work-and later , He has also become the exclusive studio executive producer of the "Star Wars Series", implementing and handling many issues on the set of the entire series.
The temperament of Garys shares many similarities with the independent directors that Renly worked with before. They are low-key, quiet, focused, restrained, and most importantly professional. He concentrates on his own director work. The overall temperament is like a technical nerd. Only when the relevant technology is mentioned, the eyes shine, and other times, it seems that there is not much sense of existence, and it is easy to be submerged in the crowd.
From this point of view, Jason McGatlin’s worries about the way the director and the actors get along is indeed excusable. This is also the reason why he specially recommended Lan Li-he doesn’t want the best actors and directors in the crew. There is a conflict between them; but from the perspective of Catherine Kennedy, it is precisely the way she hopes to cooperate-the director does not need to be too strong in control, can guide the completion of the assembly line, and appropriately add personal style, this enough.
Of course, this is no problem for Renly.
The conversation between Lan Li and Garis went very smoothly. The two people mainly discussed the composition of the entire movie screen-the grandeur of the panorama and the distant view must be the focus, which also means that the actors' performances need to be more concise, stripping away those trivial Details can give more vitality to the picture.
Garris reminded Lanly of Alfonso Cuarón and Christopher Nolan: the focus on the technical level has allowed their professional abilities to reach new heights, but in terms of performance, the guidance they can give to the actors is really limited-and "Rogue One" has a huge cast of actors, which also means that it will take a while for the next filming to find the correct performance rhythm, but this is also one of the joys of performance.
At least Renly thinks so.
Next, the official meeting and script reading meeting of the crew of "Rogue One" kicked off amidst laughter and laughter, and started the journey smoothly.
In the first formal script reading meeting of the entire crew-not only because of the large number of film roles, but also the number of actors is also a spectacular number. If you are not careful, you may be blind; and because the actors in the cast are generally low-key and more active In independent films, and even on theatrical stage, recognition is limited. Eventually, every actor must stand up to introduce himself and explain his role.
It's like when you just entered the acting school, the first thing in every class is to stand up and introduce yourself generously and confidently-to introduce yourself generously and tirelessly. This is the first lesson in becoming an actor, whether it is Movies or dramas, or TV, and interviews have to go through challenges and shocks over and over again. The self-confidence brought by self-introduction becomes more important.
Of course, the actual situation must be somewhat different.
Lan Li, who was the first to stand up, received special treatment.
"Hello everyone, this is Renly Hall..."
The self-introduction had just begun, and some people started booing, "I know that everyone knows", "Is there anyone who doesn't know Master Lanli now", "It's boring to jump over," plus whistles and laughter. The sound is really lively.
Lan Li, who was "besieged", didn't mind, he raised his hand and pressed it down, signaling everyone to stay calm, "I know that many gentlemen on the scene are jealous of my super popularity among ladies..." The scene again A burst of laughter, "But I still have to be prepared. There is always someone who does not know me. Before I become more arrogant and forget my name, I think I still need to remind myself all the time."
The laughter broke out completely.
Even Garis, who was hiding in the corner, couldn't help laughing.
"Next... yes, I will be playing in the movie... uh, sorry, the pronunciation of the name in space is a bit awkward, I always feel like it is made up, I need to confirm the pronunciation. But I am even more confused, Lu K-Skywalker’s name is very American. I don’t know what went wrong with our crew. I think I may not be suitable for living in space..."
The whole audience laughed!
Many people even slapped the table to show their sympathy. Regarding the name, this has become a stubborn complaint by all the actors. The screenwriter Chris-Weitz, sitting in the back row of the actors, raised the script to cover his face and pretended I'm not here: Anyway, he is responsible for writing the script lines and dialogues; the script story frame is written by John-Knoll and Gary-Whitta.
"I remember, he should be a captain. Yes, Captain Cassian-Andor, he should have been a prince from his last name. So, I think I should keep a little gentlemanly, then I Instead of pointing the finger at the screenwriter, we will transfer the baton to our...er...Miss Jean-Esso."
The laughter couldn't stop, Felicity Jones cast a grateful gaze toward Lanly-the nervousness disappeared in the joyous atmosphere of the audience.
Thanks to the easy opening of Lan Li, the script reading meeting went very smoothly. The actors were looking for a tacit understanding in the step-by-step attempts to prepare for the next official shooting; but it turns out that the script reading will be one time. The actual shooting is another matter. The smooth reading of the script cannot guarantee the smoothness after shooting on the spot-the actual performance is still different after all.
To be precise, the first scene ran into trouble.
Like other high-cost productions, "Rogue One" did not complete the shooting in chronological order, but started shooting according to the schedule of the set and the shooting base. This also means that the sequence of the plot is completely disrupted, and the actors must be right. The script and the context of the characters have a clear and sufficient understanding to ensure that they can show accurate performance in every scene and avoid the audience from detecting abnormalities.
Of course, the core idea of commercial blockbusters is not to tap the inner growth of every character. This also means that the actors’ performance needs a context. It is not too difficult. As for the level, it is an additional bonus-for the big For some directors, they would rather not have this part of exploration to avoid breaking the narrative rhythm and overall style.
The first scene of "Rogue One" officially launched, choosing a plot after the beginning of the story to connect all the characters that appeared before.
Jin-Esso, who was serving his sentence in prison, was "rescued" by the rebels - or "hijacked" to their secret base when he was transferred to the detention facility. Because the Rebels received news that the empire was building a weapon capable of destroying planets, and the key figure in the whole process was Jean-Esso’s father, Galen-Esso. He was hijacked by the empire fifteen years ago. Young Jin-Usuo witnessed his mother being shot to death, and luckily escaped the clutches of the empire, and was saved by Saw-Gerrera, who was also a rebel.
Now, the rebels need the cooperation of Jean-Esso, to find So-Grera, who left the rebels because of disagreement in concept, and used extreme methods to create violence on different planets to resist the empire, and then hope to get further clues about weapons. And I hope that Jen Ersuo can locate Galen Ersuo through So Guerrera, and the rebels will stop the construction of weapons and prevent the imperial iron hoof from going further to other corners.
Captain Cassian Andor of the Resistance will accompany Jean Erso to complete this task.
In the first scene of the film, the scene where the Resistance and Jean-Esso first come into contact with each other is selected. This scene can connect many characters and clues to lay the basic framework for the whole story. For the actors, for the director, for the performance, etc. Wait, this is the most suitable scene.
Obviously ~www.novelhall.com~ The content of this scene is very rich. There are not only lines but also stories, and most importantly, there are many characters. It is not easy to shoot; but in comparison, this is for director Garys In other words, it is simpler, and it is easier to dispatch and control in small scenes.
So, where is the problem?
actor.
To be precise, a number of actors including Felicity Jones, Angus-Wright, May-Bell, etc., had problems with their performances. Even if Lan Li was in it, he alone was unable to save the whole scene from the storm - not to mention that the core of the scene was not him, but Felicity.
"card!"
Garys Edwards has interrupted the filming for the eighth time. It was not because of a mistake in the lines or an accident. The entire performance was completed without any stumbling, but Garys’s deep frown was suggesting that he was interested in the scene The performance is still dissatisfied, and very dissatisfied.
So, where exactly is the problem?
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What about the director?
Few people realize this. After all, this is a super large crew with 400 people. The sight of people coming and going and the constant stream always occupy the line of sight, wanting to notice the presence and presence of a person in the chaos Absence is indeed very difficult. Unless it's Renly Hall.
As for Garys Edwards? "Rogue One" is just his third work as a director. It is still a matte newcomer in Hollywood. That face that is still unfamiliar to the public may be submerged even if it shows up. In the turbulent crowd.
In fact, Garys Edwards never showed up from beginning to end. If it weren’t for executive producer Jason-D.-McGatlin, he had specifically found Lan Li and took Lan Li to the director’s studio to make an introduction. It is estimated that the director’s mystery will continue for some time.
Jason McGatlin is an unfamiliar face. He used to be an administrative manager. He was later promoted by Steven Spielberg and walked into the set as an executive producer. "The Adventures of Tintin" belongs to him. The first work; because of his good ability, Lucasfilm was hired to act as the studio executive of "Star Wars: The Force Awakens". "Rogue One" is only his fourth work-and later , He has also become the exclusive studio executive producer of the "Star Wars Series", implementing and handling many issues on the set of the entire series.
The temperament of Garys shares many similarities with the independent directors that Renly worked with before. They are low-key, quiet, focused, restrained, and most importantly professional. He concentrates on his own director work. The overall temperament is like a technical nerd. Only when the relevant technology is mentioned, the eyes shine, and other times, it seems that there is not much sense of existence, and it is easy to be submerged in the crowd.
From this point of view, Jason McGatlin’s worries about the way the director and the actors get along is indeed excusable. This is also the reason why he specially recommended Lan Li-he doesn’t want the best actors and directors in the crew. There is a conflict between them; but from the perspective of Catherine Kennedy, it is precisely the way she hopes to cooperate-the director does not need to be too strong in control, can guide the completion of the assembly line, and appropriately add personal style, this enough.
Of course, this is no problem for Renly.
The conversation between Lan Li and Garis went very smoothly. The two people mainly discussed the composition of the entire movie screen-the grandeur of the panorama and the distant view must be the focus, which also means that the actors' performances need to be more concise, stripping away those trivial Details can give more vitality to the picture.
Garris reminded Lanly of Alfonso Cuarón and Christopher Nolan: the focus on the technical level has allowed their professional abilities to reach new heights, but in terms of performance, the guidance they can give to the actors is really limited-and "Rogue One" has a huge cast of actors, which also means that it will take a while for the next filming to find the correct performance rhythm, but this is also one of the joys of performance.
At least Renly thinks so.
Next, the official meeting and script reading meeting of the crew of "Rogue One" kicked off amidst laughter and laughter, and started the journey smoothly.
In the first formal script reading meeting of the entire crew-not only because of the large number of film roles, but also the number of actors is also a spectacular number. If you are not careful, you may be blind; and because the actors in the cast are generally low-key and more active In independent films, and even on theatrical stage, recognition is limited. Eventually, every actor must stand up to introduce himself and explain his role.
It's like when you just entered the acting school, the first thing in every class is to stand up and introduce yourself generously and confidently-to introduce yourself generously and tirelessly. This is the first lesson in becoming an actor, whether it is Movies or dramas, or TV, and interviews have to go through challenges and shocks over and over again. The self-confidence brought by self-introduction becomes more important.
Of course, the actual situation must be somewhat different.
Lan Li, who was the first to stand up, received special treatment.
"Hello everyone, this is Renly Hall..."
The self-introduction had just begun, and some people started booing, "I know that everyone knows", "Is there anyone who doesn't know Master Lanli now", "It's boring to jump over," plus whistles and laughter. The sound is really lively.
Lan Li, who was "besieged", didn't mind, he raised his hand and pressed it down, signaling everyone to stay calm, "I know that many gentlemen on the scene are jealous of my super popularity among ladies..." The scene again A burst of laughter, "But I still have to be prepared. There is always someone who does not know me. Before I become more arrogant and forget my name, I think I still need to remind myself all the time."
The laughter broke out completely.
Even Garis, who was hiding in the corner, couldn't help laughing.
"Next... yes, I will be playing in the movie... uh, sorry, the pronunciation of the name in space is a bit awkward, I always feel like it is made up, I need to confirm the pronunciation. But I am even more confused, Lu K-Skywalker’s name is very American. I don’t know what went wrong with our crew. I think I may not be suitable for living in space..."
The whole audience laughed!
Many people even slapped the table to show their sympathy. Regarding the name, this has become a stubborn complaint by all the actors. The screenwriter Chris-Weitz, sitting in the back row of the actors, raised the script to cover his face and pretended I'm not here: Anyway, he is responsible for writing the script lines and dialogues; the script story frame is written by John-Knoll and Gary-Whitta.
"I remember, he should be a captain. Yes, Captain Cassian-Andor, he should have been a prince from his last name. So, I think I should keep a little gentlemanly, then I Instead of pointing the finger at the screenwriter, we will transfer the baton to our...er...Miss Jean-Esso."
The laughter couldn't stop, Felicity Jones cast a grateful gaze toward Lanly-the nervousness disappeared in the joyous atmosphere of the audience.
Thanks to the easy opening of Lan Li, the script reading meeting went very smoothly. The actors were looking for a tacit understanding in the step-by-step attempts to prepare for the next official shooting; but it turns out that the script reading will be one time. The actual shooting is another matter. The smooth reading of the script cannot guarantee the smoothness after shooting on the spot-the actual performance is still different after all.
To be precise, the first scene ran into trouble.
Like other high-cost productions, "Rogue One" did not complete the shooting in chronological order, but started shooting according to the schedule of the set and the shooting base. This also means that the sequence of the plot is completely disrupted, and the actors must be right. The script and the context of the characters have a clear and sufficient understanding to ensure that they can show accurate performance in every scene and avoid the audience from detecting abnormalities.
Of course, the core idea of commercial blockbusters is not to tap the inner growth of every character. This also means that the actors’ performance needs a context. It is not too difficult. As for the level, it is an additional bonus-for the big For some directors, they would rather not have this part of exploration to avoid breaking the narrative rhythm and overall style.
The first scene of "Rogue One" officially launched, choosing a plot after the beginning of the story to connect all the characters that appeared before.
Jin-Esso, who was serving his sentence in prison, was "rescued" by the rebels - or "hijacked" to their secret base when he was transferred to the detention facility. Because the Rebels received news that the empire was building a weapon capable of destroying planets, and the key figure in the whole process was Jean-Esso’s father, Galen-Esso. He was hijacked by the empire fifteen years ago. Young Jin-Usuo witnessed his mother being shot to death, and luckily escaped the clutches of the empire, and was saved by Saw-Gerrera, who was also a rebel.
Now, the rebels need the cooperation of Jean-Esso, to find So-Grera, who left the rebels because of disagreement in concept, and used extreme methods to create violence on different planets to resist the empire, and then hope to get further clues about weapons. And I hope that Jen Ersuo can locate Galen Ersuo through So Guerrera, and the rebels will stop the construction of weapons and prevent the imperial iron hoof from going further to other corners.
Captain Cassian Andor of the Resistance will accompany Jean Erso to complete this task.
In the first scene of the film, the scene where the Resistance and Jean-Esso first come into contact with each other is selected. This scene can connect many characters and clues to lay the basic framework for the whole story. For the actors, for the director, for the performance, etc. Wait, this is the most suitable scene.
Obviously ~www.novelhall.com~ The content of this scene is very rich. There are not only lines but also stories, and most importantly, there are many characters. It is not easy to shoot; but in comparison, this is for director Garys In other words, it is simpler, and it is easier to dispatch and control in small scenes.
So, where is the problem?
actor.
To be precise, a number of actors including Felicity Jones, Angus-Wright, May-Bell, etc., had problems with their performances. Even if Lan Li was in it, he alone was unable to save the whole scene from the storm - not to mention that the core of the scene was not him, but Felicity.
"card!"
Garys Edwards has interrupted the filming for the eighth time. It was not because of a mistake in the lines or an accident. The entire performance was completed without any stumbling, but Garys’s deep frown was suggesting that he was interested in the scene The performance is still dissatisfied, and very dissatisfied.
So, where exactly is the problem?
What about the director?Few people realize this. After all, this is a super large crew with 400 people. The sight of people coming and going and the constant stream always occupy the line of sight, wanting to notice the presence and presence of a person in the chaos Absence is indeed very difficult. Unless it's Renly Hall.As for Garys Edwards? "Rogue One" is just his third work as a director. It is still a matte newcomer in Hollywood. That face that is still unfamiliar to the public may be submerged even if it shows up. In the turbulent crowd.In fact, Garys Edwards never showed up from beginning to end. If it weren't for executive producer Jason-D.-McGatlin, he had specifically found Lan Li and took Lan Li to the director's studio to make an introduction. It is estimated that the director's mystery will continue for some time.Jason McGatlin is an unfamiliar face. He used to be an administrative manager. He was later promoted by Steven Spielberg and walked into the set as an executive producer. "The Adventures of Tintin" belongs to him. The first work; because of his good ability, Lucasfilm was hired to act as the studio executive of "Star Wars: The Force Awakens". "Rogue One" is only his fourth work-and later , He has also become the exclusive studio executive producer of the "Star Wars Series", implementing and handling many issues on the set of the entire series.The temperament of Garys shares many similarities with the independent directors that Renly worked with before. They are low-key, quiet, focused, restrained, and most importantly professional. He concentrates on his own director work. The overall temperament is like a technical nerd. Only when the relevant technology is mentioned, the eyes shine, and other times, it seems that there is not much sense of existence, and it is easy to be submerged in the crowd.From this point of view, Jason McGatlin's worries about the way the director and the actors get along is indeed excusable. This is also the reason why he specially recommended Lan Li-he doesn't want the best actors and directors in the crew. There is a conflict between them; but from the perspective of Catherine Kennedy, it is precisely the way she hopes to cooperate-the director does not need to be too strong in control, can guide the completion of the assembly line, and appropriately add personal style, this enough.Of course, this is no problem for Renly.The conversation between Lan Li and Garis went very smoothly. The two people mainly discussed the composition of the entire movie screen-the grandeur of the panorama and the distant view must be the focus, which also means that the actors' performances need to be more concise, stripping away those trivial Details can give more vitality to the picture.Garris reminded Lanly of Alfonso Cuarn and Christopher Nolan: the focus on the technical level has allowed their professional abilities to reach new heights, but in terms of performance, the guidance they can give to the actors is really limited-and "Rogue One" has a huge cast of actors, which also means that it will take a while for the next filming to find the correct performance rhythm, but this is also one of the joys of performance.At least Renly thinks so.Next, the official meeting and script reading meeting of the crew of "Rogue One" kicked off amidst laughter and laughter, and started the journey smoothly.In the first formal script reading meeting of the entire crew-not only because of the large number of film roles, but also the number of actors is also a spectacular number. If you are not careful, you may be blind; and because the actors in the cast are generally low-key and more active In independent films, and even on theatrical stage, recognition is limited. Eventually, every actor must stand up to introduce himself and explain his role.It's like when you just entered the acting school, the first thing in every class is to stand up and introduce yourself generously and confidently-to introduce yourself generously and tirelessly. This is the first lesson in becoming an actor, whether it is Movies or dramas, or TV, and interviews have to go through challenges and shocks over and over again. The self-confidence brought by self-introduction becomes more important.Of course, the actual situation must be somewhat different.Lan Li, who was the first to stand up, received special treatment."Hello everyone, this is Renly Hall..."The self-introduction had just begun, and some people started booing, "I know that everyone knows", "Is there anyone who doesn't know Master Lanli now", "It's boring to jump over," plus whistles and laughter. The sound is really lively.Lan Li, who was "besieged", didn't mind, he raised his hand and pressed it down, signaling everyone to stay calm, "I know that many gentlemen on the scene are jealous of my super popularity among ladies..." The scene again A burst of laughter, "But I still have to be prepared. There is always someone who does not know me. Before I become more arrogant and forget my name, I think I still need to remind myself all the time."The laughter broke out completely.Even Garis, who was hiding in the corner, couldn't help laughing."Next... yes, I will be playing in the movie... uh, sorry, the pronunciation of the name in space is a bit awkward, I always feel like it is made up, I need to confirm the pronunciation. But I am even more confused, Lu K-Skywalker's name is very American. I don't know what went wrong with our crew. I think I may not be suitable for living in space..."The whole audience laughed!Many people even slapped the table to show their sympathy. Regarding the name, this has become a stubborn complaint by all the actors. The screenwriter Chris-Weitz, sitting in the back row of the actors, raised the script to cover his face and pretended I'm not here: Anyway, he is responsible for writing the script lines and dialogues; the script story frame is written by John-Knoll and Gary-Whitta."I remember, he should be a captain. Yes, Captain Cassian-Andor, he should have been a prince from his last name. So, I think I should keep a little gentlemanly, then I Instead of pointing the finger at the screenwriter, we will transfer the baton to our...er...Miss Jean-Esso."The laughter couldn't stop, Felicity Jones cast a grateful gaze toward Lanly-the nervousness disappeared in the joyous atmosphere of the audience.Thanks to the easy opening of Lan Li, the script reading meeting went very smoothly. The actors were looking for a tacit understanding in the step-by-step attempts to prepare for the next official shooting; but it turns out that the script reading will be one time. The actual shooting is another matter. The smooth reading of the script cannot guarantee the smoothness after shooting on the spot-the actual performance is still different after all.To be precise, the first scene ran into trouble.Like other high-cost productions, "Rogue One" did not complete the shooting in chronological order, but started shooting according to the schedule of the set and the shooting base. This also means that the sequence of the plot is completely disrupted, and the actors must be right. The script and the context of the characters have a clear and sufficient understanding to ensure that they can show accurate performance in every scene and avoid the audience from detecting abnormalities.Of course, the core idea of commercial blockbusters is not to tap the inner growth of every character. This also means that the actors' performance needs a context. It is not too difficult. As for the level, it is an additional bonus-for the big For some directors, they would rather not have this part of exploration to avoid breaking the narrative rhythm and overall style.The first scene of "Rogue One" officially launched, choosing a plot after the beginning of the story to connect all the characters that appeared before.Jin-Esso, who was serving his sentence in prison, was "rescued" by the rebels - or "hijacked" to their secret base when he was transferred to the detention facility. Because the Rebels received news that the empire was building a weapon capable of destroying planets, and the key figure in the whole process was Jean-Esso's father, Galen-Esso. He was hijacked by the empire fifteen years ago. Young Jin-Usuo witnessed his mother being shot to death, and luckily escaped the clutches of the empire, and was saved by Saw-Gerrera, who was also a rebel.Now, the rebels need the cooperation of Jean-Esso, to find So-Grera, who left the rebels because of disagreement in concept, and used extreme methods to create violence on different planets to resist the empire, and then hope to get further clues about weapons. And I hope that Jen Ersuo can locate Galen Ersuo through So Guerrera, and the rebels will stop the construction of weapons and prevent the imperial iron hoof from going further to other corners.Captain Cassian Andor of the Resistance will accompany Jean Erso to complete this task.In the first scene of the film, the scene where the Resistance and Jean-Esso first come into contact with each other is selected. This scene can connect many characters and clues to lay the basic framework for the whole story. For the actors, for the director, for the performance, etc. Wait, this is the most suitable scene.Obviously ~www.novelhall.com~ The content of this scene is very rich. There are not only lines but also stories, and most importantly, there are many characters. It is not easy to shoot; but in comparison, this is for director Garys In other words, it is simpler, and it is easier to dispatch and control in small scenes.So, where is the problem?actor.To be precise, a number of actors including Felicity Jones, Angus-Wright, May-Bell, etc., had problems with their performances. Even if Lan Li was in it, he alone was unable to save the whole scene from the storm - not to mention that the core of the scene was not him, but Felicity."card!"Garys Edwards has interrupted the filming for the eighth time. It was not because of a mistake in the lines or an accident. The entire performance was completed without any stumbling, but Garys's deep frown was suggesting that he was interested in the scene The performance is still dissatisfied, and very dissatisfied.So, where exactly is the problem?
