Chapter 548: 548
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"Beyond" is a very special work. Outside of the main line of the narrative of the movie itself, the lens is aimed at Henry, and a lot of interviews, or psychological monologues, are carried out to interpret and interpret the core ideas of the story, and then In a fragmented way, it is mixed into the themes of the movie. It is not the narration of the documentary film, but the narration of the one-act stage play.
This form of expression is very common in drama, and the most widely known is the classic line in "Hamlet", "Survival or destruction, this is a question worth considering."
The whole monologue is nearly 400 words, and the performance time is about three to five minutes. It is not only obscure and incomprehensible, but also full of philosophical reflections, which is a severe test for the actors. However, with the widespread spread of Shakespeare’s plays, this iconic monologue became famous, and more and more people began to practice repeatedly, and gradually became an important part of the basic performance class. The popularity rate has risen sharply, but it is left behind. Gave a false impression of "not too difficult".
In the "transcendence", Tony focused the camera on the protagonist and gave Henry a lot of monologue space, reflecting, introspecting, babbling, and chanting, using the poetic temperament as the structure of the text and the performance as the color. Give the movie a unique texture.
But precisely because of this, the filming process cannot proceed in a linear manner. When to shoot the main storyline, when to shoot the monologue, and how to coordinate the emotional coherence and bursts, these are all questions that Tony must think about in advance. , And then the crew makes corresponding arrangements.
Today is the first day of the official launch of "Delicate". If you follow the order of the script, the first scene should be the night before Henry went to work, showing his daily state, showing the loneliness, loneliness and loneliness of the characters. Sadness; the next step should be the high school principals facing the Ministry of Education's review and making things difficult. The school's grade point has not improved or even declined, affecting the decline of the state's grade point; and the situation of student violations has been repeatedly prohibited and must be done. Take rectification.
The difficulty of shooting these two scenes is not small, involving a lot of lines and camera switching.
Although "Transcendence" is an independent film crew, or an art film crew, the director's style is quirky and elusive, and it seems unreasonable to play the cards; but even Tony, he also hopes that the film can be completed smoothly. , The superstition significance of the first scene to discuss the lottery is still very important.
So, after thinking about it, Tony gave up the first two scenes of the script and chose the simplest scene as today's start-up work——
Henry, the substitute teacher who came to the school to report, got off the bus. Before entering the school building, he stood by the bus stop, stayed for a while, adjusted his mood, and then turned to enter the school.
Simply put, it is a scene where you are standing under the bus stop sign and posing as a model. Edited into the movie is a few seconds of footage, at most five seconds. The difficulty of shooting is close to zero, ensuring that the crew can get a good start.
Lan Li came to the bus stop on the street all the way, and was ready to shoot; the staff behind him were organizing extras, and they needed to show the busy scene at school in the morning; on the other side, Tony was greeting the camera crew Discuss with the lighting team about light and color issues.
Habitually, Lan Li raised his head to look for the figure of the dramatist, or the assistant director. At this point, they should come over to communicate with Lan Li, give further explanations on the next shooting track, lens distance and the content of the scene, and make sure that the actors can walk in the right direction during the performance-even if it is the back of the film, no eye contact For the focus, the actor also needs to have a general understanding of the orientation of the lens, otherwise the performance will easily lose focus.
The same actor, dedicated to the same performance, has completely different presentations under different directors' shots. Some directors are particularly good at capturing the details of the performance, but for some directors, under their lens, the changes in eyes, expressions, and limbs are easy to blur and lose.
The importance of communication before shooting became more and more prominent. For several works so far, even with different directors in the "Pacific War", this cooperation model has continued.
But at this moment, looking left and right, Lan Li did not find anyone. He stood alone next to the bus stop sign, like a lost lamb, no one cared.
Lan Li turned his head, looked for Roy and Nathan among the crowd, cast a suspicious look, the two rushed over quickly, but before they could get closer, Tony's voice came over, "Everyone Everything is ready, and the countdown begins."
Tony seemed to perceive Lan Li's confusion, walked around and said, "First take one shot and see the effect." Then he nodded and walked quickly to the position of the monitor.
"Len Li?" Roy had already ran over and shouted. Lan Li waved his hand, indicating that it was all right, and then his thoughts slowly settled down.
It can be seen that he still lacks enough experience. Different directors have different styles. They have different understandings of the camera, the performance, and the overall structure. The directors he has worked with are still not enough, and the style is not clear enough. Suddenly they clash with past habits, and then they don't adapt.
The style of a free and unsophisticated artist like Tony, running in while shooting, is obviously also a style.
However, the uncertainty of this method is too great. If the actor never finds the state, or the director never finds the inspiration, then he can only continue to shoot repeatedly. The consumption of film is a big expense. It may not be a big deal for a large crew, but for a small independent crew, it is an unimaginable burden.
However, Lan Li is not the one who makes the budget, so he should calm down and get ready to shoot.
Accompanied by the clear and loud shouts of the scene notes, Tony calmly shouted the first sentence "start shooting", all the noise around it settled down, and all the links of the entire crew entered the state.
The students wandered on the lawn at the entrance of the campus happily, chatting carelessly. They had already arrived at the school, but were unwilling to go in. It was not until the harsh class bell rang that the crowds swarmed in the direction of the teaching building. And then, in a blink of an eye, the playground became empty, and only a handful of people were left, like a tail that hadn't had time to disappear, twitchingly retracted into the building.
Looking around, the entire playground suddenly became deserted, with only one lonely figure left on the side of the street.
It was a man wearing a well-prepared suit, his shirt was smoky gray, his pants were dark blue, his shirt was white, and his tie was red. The whole outfit was like a pile of patches, messy; he carried a light on his left shoulder. The shiny black briefcase, but the traces of the leather can tell the traces of years of use.
He leaned on the metal pole of the bus stop sign on his back, and his left leg was often withdrawn half a step, lowered his head and took out the tobacco and tobacco from the briefcase, and began to roll up the cigarette seriously. Focus, the roar of the engine came from the street. He raised his head and glanced at the sound. At that moment, Guanghua leaked a little tension and confusion, but then he lowered his sight again. Before the ripples had time to ripple away, he just glanced at the sound. Disappeared without a trace, and concentrated on cigarettes again.
The handsome face has a green scum, combed into a two-eight-pointed back haircut to show all the facial features; the Ying Ting eyebrows are calm and indifferent, without much expression, and the focused light is projected on those deep eyes. In the eyes, the eyelashes are scattered sparsely; the corners of the relaxed mouth outline a touch of alienation and indifference, just like the mist on the lake in the early morning, silent and quiet, but always people can't help but want to spy.
At this time, the class bell has ceased, and the tail at the entrance of the teaching building has entered. The entire playground is quiet. Except for the man, there is no other figure. Even the noise disappears like smoke. It suddenly disappears. The silence of silence brought out a trace of depression by vain.
The curled silence fell on the man’s shoulders like light smoke. He looked thin and thin. His calm face had almost no expression. The slender fingertips flexibly rolled up the tobacco leaves. The introverted silence and dullness were truly ordinary. Wuqi, it seems that there is no sense of existence when standing on such an open and flat ground, but there is a kind of hazy feeling from the whole body, which is really indescribable in words.
The cigarette was rolled. The man held the cigarette **** to his mouth, but did not light it. He just stood quietly, letting the faint smoke smell linger under the nose~www.novelhall.com~ There was no extra action, nothing. The superfluous expressions can’t tell whether it is sadness, pain, depression, expectation, happiness, or indifference. To be precise, it seems that there is no emotion at all, just standing there flat, saying that there is no transparent person. any problem.
But such a figure has an unspeakable charm and an unspeakable story. There is an endless smell hidden between the sparse eyebrows. Unexplainable, unclear, slowly flowing under the cold light, people can't help but want to peek into those eyes, trying to find an entrance from the pupils.
Then, the man gently bit his cigarette holder, turned around, and walked straight towards the teaching building. No cigarettes were lit, no cigarettes were thrown away; no sorrows, no emotions; no lines, no extra actions. In this way, like a model, standing still, for five seconds, turned and left.
The slightly straight shoulders rallied and strode forward, but seemed to be half-struck. They couldn't really lift their heads and chests. The strides were vigorous and fast, but they seemed a bit thin. Light and shadow flowed quickly between the side face, the shoulder line and the forearm, sketching a light and lonely, but nothing more than that, fleeting.
"card!"
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"Beyond" is a very special work. Outside of the main line of the narrative of the movie itself, the lens is aimed at Henry, and a lot of interviews, or psychological monologues, are carried out to interpret and interpret the core ideas of the story, and then In a fragmented way, it is mixed into the themes of the movie. It is not the narration of the documentary film, but the narration of the one-act stage play.
This form of expression is very common in drama, and the most widely known is the classic line in "Hamlet", "Survival or destruction, this is a question worth considering."
The whole monologue is nearly 400 words, and the performance time is about three to five minutes. It is not only obscure and incomprehensible, but also full of philosophical reflections, which is a severe test for the actors. However, with the widespread spread of Shakespeare’s plays, this iconic monologue became famous, and more and more people began to practice repeatedly, and gradually became an important part of the basic performance class. The popularity rate has risen sharply, but it is left behind. Gave a false impression of "not too difficult".
In the "transcendence", Tony focused the camera on the protagonist and gave Henry a lot of monologue space, reflecting, introspecting, babbling, and chanting, using the poetic temperament as the structure of the text and the performance as the color. Give the movie a unique texture.
But precisely because of this, the filming process cannot proceed in a linear manner. When to shoot the main storyline, when to shoot the monologue, and how to coordinate the emotional coherence and bursts, these are all questions that Tony must think about in advance. , And then the crew makes corresponding arrangements.
Today is the first day of the official launch of "Delicate". If you follow the order of the script, the first scene should be the night before Henry went to work, showing his daily state, showing the loneliness, loneliness and loneliness of the characters. Sadness; the next step should be the high school principals facing the Ministry of Education's review and making things difficult. The school's grade point has not improved or even declined, affecting the decline of the state's grade point; and the situation of student violations has been repeatedly prohibited and must be done. Take rectification.
The difficulty of shooting these two scenes is not small, involving a lot of lines and camera switching.
Although "Transcendence" is an independent film crew, or an art film crew, the director's style is quirky and elusive, and it seems unreasonable to play the cards; but even Tony, he also hopes that the film can be completed smoothly. , The superstition significance of the first scene to discuss the lottery is still very important.
So, after thinking about it, Tony gave up the first two scenes of the script and chose the simplest scene as today's start-up work——
Henry, the substitute teacher who came to the school to report, got off the bus. Before entering the school building, he stood by the bus stop, stayed for a while, adjusted his mood, and then turned to enter the school.
Simply put, it is a scene where you are standing under the bus stop sign and posing as a model. Edited into the movie is a few seconds of footage, at most five seconds. The difficulty of shooting is close to zero, ensuring that the crew can get a good start.
Lan Li came to the bus stop on the street all the way, and was ready to shoot; the staff behind him were organizing extras, and they needed to show the busy scene at school in the morning; on the other side, Tony was greeting the camera crew Discuss with the lighting team about light and color issues.
Habitually, Lan Li raised his head to look for the figure of the dramatist, or the assistant director. At this point, they should come over to communicate with Lan Li, give further explanations on the next shooting track, lens distance and the content of the scene, and make sure that the actors can walk in the right direction during the performance-even if it is the back of the film, no eye contact For the focus, the actor also needs to have a general understanding of the orientation of the lens, otherwise the performance will easily lose focus.
The same actor, dedicated to the same performance, has completely different presentations under different directors' shots. Some directors are particularly good at capturing the details of the performance, but for some directors, under their lens, the changes in eyes, expressions, and limbs are easy to blur and lose.
The importance of communication before shooting became more and more prominent. For several works so far, even with different directors in the "Pacific War", this cooperation model has continued.
But at this moment, looking left and right, Lan Li did not find anyone. He stood alone next to the bus stop sign, like a lost lamb, no one cared.
Lan Li turned his head, looked for Roy and Nathan among the crowd, cast a suspicious look, the two rushed over quickly, but before they could get closer, Tony's voice came over, "Everyone Everything is ready, and the countdown begins."
Tony seemed to perceive Lan Li's confusion, walked around and said, "First take one shot and see the effect." Then he nodded and walked quickly to the position of the monitor.
"Len Li?" Roy had already ran over and shouted. Lan Li waved his hand, indicating that it was all right, and then his thoughts slowly settled down.
It can be seen that he still lacks enough experience. Different directors have different styles. They have different understandings of the camera, the performance, and the overall structure. The directors he has worked with are still not enough, and the style is not clear enough. Suddenly they clash with past habits, and then they don't adapt.
The style of a free and unsophisticated artist like Tony, running in while shooting, is obviously also a style.
However, the uncertainty of this method is too great. If the actor never finds the state, or the director never finds the inspiration, then he can only continue to shoot repeatedly. The consumption of film is a big expense. It may not be a big deal for a large crew, but for a small independent crew, it is an unimaginable burden.
However, Lan Li is not the one who makes the budget, so he should calm down and get ready to shoot.
Accompanied by the clear and loud shouts of the scene notes, Tony calmly shouted the first sentence "start shooting", all the noise around it settled down, and all the links of the entire crew entered the state.
The students wandered on the lawn at the entrance of the campus happily, chatting carelessly. They had already arrived at the school, but were unwilling to go in. It was not until the harsh class bell rang that the crowds swarmed in the direction of the teaching building. And then, in a blink of an eye, the playground became empty, and only a handful of people were left, like a tail that hadn't had time to disappear, twitchingly retracted into the building.
Looking around, the entire playground suddenly became deserted, with only one lonely figure left on the side of the street.
It was a man wearing a well-prepared suit, his shirt was smoky gray, his pants were dark blue, his shirt was white, and his tie was red. The whole outfit was like a pile of patches, messy; he carried a light on his left shoulder. The shiny black briefcase, but the traces of the leather can tell the traces of years of use.
He leaned on the metal pole of the bus stop sign on his back, and his left leg was often withdrawn half a step, lowered his head and took out the tobacco and tobacco from the briefcase, and began to roll up the cigarette seriously. Focus, the roar of the engine came from the street. He raised his head and glanced at the sound. At that moment, Guanghua leaked a little tension and confusion, but then he lowered his sight again. Before the ripples had time to ripple away, he just glanced at the sound. Disappeared without a trace, and concentrated on cigarettes again.
The handsome face has a green scum, combed into a two-eight-pointed back haircut to show all the facial features; the Ying Ting eyebrows are calm and indifferent, without much expression, and the focused light is projected on those deep eyes. In the eyes, the eyelashes are scattered sparsely; the corners of the relaxed mouth outline a touch of alienation and indifference, just like the mist on the lake in the early morning, silent and quiet, but always people can't help but want to spy.
At this time, the class bell has ceased, and the tail at the entrance of the teaching building has entered. The entire playground is quiet. Except for the man, there is no other figure. Even the noise disappears like smoke. It suddenly disappears. The silence of silence brought out a trace of depression by vain.
The curled silence fell on the man’s shoulders like light smoke. He looked thin and thin. His calm face had almost no expression. The slender fingertips flexibly rolled up the tobacco leaves. The introverted silence and dullness were truly ordinary. Wuqi, it seems that there is no sense of existence when standing on such an open and flat ground, but there is a kind of hazy feeling from the whole body, which is really indescribable in words.
The cigarette was rolled. The man held the cigarette **** to his mouth, but did not light it. He just stood quietly, letting the faint smoke smell linger under the nose~www.novelhall.com~ There was no extra action, nothing. The superfluous expressions can’t tell whether it is sadness, pain, depression, expectation, happiness, or indifference. To be precise, it seems that there is no emotion at all, just standing there flat, saying that there is no transparent person. any problem.
But such a figure has an unspeakable charm and an unspeakable story. There is an endless smell hidden between the sparse eyebrows. Unexplainable, unclear, slowly flowing under the cold light, people can't help but want to peek into those eyes, trying to find an entrance from the pupils.
Then, the man gently bit his cigarette holder, turned around, and walked straight towards the teaching building. No cigarettes were lit, no cigarettes were thrown away; no sorrows, no emotions; no lines, no extra actions. In this way, like a model, standing still, for five seconds, turned and left.
The slightly straight shoulders rallied and strode forward, but seemed to be half-struck. They couldn't really lift their heads and chests. The strides were vigorous and fast, but they seemed a bit thin. Light and shadow flowed quickly between the side face, the shoulder line and the forearm, sketching a light and lonely, but nothing more than that, fleeting.
"card!"
"Beyond" is a very special work. Outside of the main line of the narrative of the movie itself, the lens is aimed at Henry, and a lot of interviews, or psychological monologues, are carried out to interpret and interpret the core ideas of the story, and then In a fragmented way, it is mixed into the themes of the movie. It is not the narration of the documentary film, but the narration of the one-act stage play.This form of expression is very common in drama, and the most widely known is the classic line in "Hamlet", "Survival or destruction, this is a question worth considering."The whole monologue is nearly 400 words, and the performance time is about three to five minutes. It is not only obscure and incomprehensible, but also full of philosophical reflections, which is a severe test for the actors. However, with the widespread spread of Shakespeare's plays, this iconic monologue became famous, and more and more people began to practice repeatedly, and gradually became an important part of the basic performance class. The popularity rate has risen sharply, but it is left behind. Gave a false impression of "not too difficult".In the "transcendence", Tony focused the camera on the protagonist and gave Henry a lot of monologue space, reflecting, introspecting, babbling, and chanting, using the poetic temperament as the structure of the text and the performance as the color. Give the movie a unique texture.But precisely because of this, the filming process cannot proceed in a linear manner. When to shoot the main storyline, when to shoot the monologue, and how to coordinate the emotional coherence and bursts, these are all questions that Tony must think about in advance. , And then the crew makes corresponding arrangements.Today is the first day of the official launch of "Delicate". If you follow the order of the script, the first scene should be the night before Henry went to work, showing his daily state, showing the loneliness, loneliness and loneliness of the characters. Sadness; the next step should be the high school principals facing the Ministry of Education's review and making things difficult. The school's grade point has not improved or even declined, affecting the decline of the state's grade point; and the situation of student violations has been repeatedly prohibited and must be done. Take rectification.The difficulty of shooting these two scenes is not small, involving a lot of lines and camera switching.Although "Transcendence" is an independent film crew, or an art film crew, the director's style is quirky and elusive, and it seems unreasonable to play the cards; but even Tony, he also hopes that the film can be completed smoothly. , The superstition significance of the first scene to discuss the lottery is still very important.So, after thinking about it, Tony gave up the first two scenes of the script and chose the simplest scene as today's start-up workHenry, the substitute teacher who came to the school to report, got off the bus. Before entering the school building, he stood by the bus stop, stayed for a while, adjusted his mood, and then turned to enter the school.Simply put, it is a scene where you are standing under the bus stop sign and posing as a model. Edited into the movie is a few seconds of footage, at most five seconds. The difficulty of shooting is close to zero, ensuring that the crew can get a good start.Lan Li came to the bus stop on the street all the way, and was ready to shoot; the staff behind him were organizing extras, and they needed to show the busy scene at school in the morning; on the other side, Tony was greeting the camera crew Discuss with the lighting team about light and color issues.Habitually, Lan Li raised his head to look for the figure of the dramatist, or the assistant director. At this point, they should come over to communicate with Lan Li, give further explanations on the next shooting track, lens distance and the content of the scene, and make sure that the actors can walk in the right direction during the performance-even if it is the back of the film, no eye contact For the focus, the actor also needs to have a general understanding of the orientation of the lens, otherwise the performance will easily lose focus.The same actor, dedicated to the same performance, has completely different presentations under different directors' shots. Some directors are particularly good at capturing the details of the performance, but for some directors, under their lens, the changes in eyes, expressions, and limbs are easy to blur and lose.The importance of communication before shooting became more and more prominent. For several works so far, even with different directors in the "Pacific War", this cooperation model has continued.But at this moment, looking left and right, Lan Li did not find anyone. He stood alone next to the bus stop sign, like a lost lamb, no one cared.Lan Li turned his head, looked for Roy and Nathan among the crowd, cast a suspicious look, the two rushed over quickly, but before they could get closer, Tony's voice came over, "Everyone Everything is ready, and the countdown begins."Tony seemed to perceive Lan Li's confusion, walked around and said, "First take one shot and see the effect." Then he nodded and walked quickly to the position of the monitor."Len Li?" Roy had already ran over and shouted. Lan Li waved his hand, indicating that it was all right, and then his thoughts slowly settled down.It can be seen that he still lacks enough experience. Different directors have different styles. They have different understandings of the camera, the performance, and the overall structure. The directors he has worked with are still not enough, and the style is not clear enough. Suddenly they clash with past habits, and then they don't adapt.The style of a free and unsophisticated artist like Tony, running in while shooting, is obviously also a style.However, the uncertainty of this method is too great. If the actor never finds the state, or the director never finds the inspiration, then he can only continue to shoot repeatedly. The consumption of film is a big expense. It may not be a big deal for a large crew, but for a small independent crew, it is an unimaginable burden.However, Lan Li is not the one who makes the budget, so he should calm down and get ready to shoot.Accompanied by the clear and loud shouts of the scene notes, Tony calmly shouted the first sentence "start shooting", all the noise around it settled down, and all the links of the entire crew entered the state.The students wandered on the lawn at the entrance of the campus happily, chatting carelessly. They had already arrived at the school, but were unwilling to go in. It was not until the harsh class bell rang that the crowds swarmed in the direction of the teaching building. And then, in a blink of an eye, the playground became empty, and only a handful of people were left, like a tail that hadn't had time to disappear, twitchingly retracted into the building.Looking around, the entire playground suddenly became deserted, with only one lonely figure left on the side of the street.It was a man wearing a well-prepared suit, his shirt was smoky gray, his pants were dark blue, his shirt was white, and his tie was red. The whole outfit was like a pile of patches, messy; he carried a light on his left shoulder. The shiny black briefcase, but the traces of the leather can tell the traces of years of use.He leaned on the metal pole of the bus stop sign on his back, and his left leg was often withdrawn half a step, lowered his head and took out the tobacco and tobacco from the briefcase, and began to roll up the cigarette seriously. Focus, the roar of the engine came from the street. He raised his head and glanced at the sound. At that moment, Guanghua leaked a little tension and confusion, but then he lowered his sight again. Before the ripples had time to ripple away, he just glanced at the sound. Disappeared without a trace, and concentrated on cigarettes again.The handsome face has a green scum, combed into a two-eight-pointed back haircut to show all the facial features; the Ying Ting eyebrows are calm and indifferent, without much expression, and the focused light is projected on those deep eyes. In the eyes, the eyelashes are scattered sparsely; the corners of the relaxed mouth outline a touch of alienation and indifference, just like the mist on the lake in the early morning, silent and quiet, but always people can't help but want to spy.At this time, the class bell has ceased, and the tail at the entrance of the teaching building has entered. The entire playground is quiet. Except for the man, there is no other figure. Even the noise disappears like smoke. It suddenly disappears. The silence of silence brought out a trace of depression by vain.The curled silence fell on the man's shoulders like light smoke. He looked thin and thin. His calm face had almost no expression. The slender fingertips flexibly rolled up the tobacco leaves. The introverted silence and dullness were truly ordinary. Wuqi, it seems that there is no sense of existence when standing on such an open and flat ground, but there is a kind of hazy feeling from the whole body, which is really indescribable in words.The cigarette was rolled. The man held the cigarette **** to his mouth, but did not light it. He just stood quietly, letting the faint smoke smell linger under the nose~www.novelhall.com~ There was no extra action, nothing. The superfluous expressions can't tell whether it is sadness, pain, depression, expectation, happiness, or indifference. To be precise, it seems that there is no emotion at all, just standing there flat, saying that there is no transparent person. any problem.But such a figure has an unspeakable charm and an unspeakable story. There is an endless smell hidden between the sparse eyebrows. Unexplainable, unclear, slowly flowing under the cold light, people can't help but want to peek into those eyes, trying to find an entrance from the pupils.Then, the man gently bit his cigarette holder, turned around, and walked straight towards the teaching building. No cigarettes were lit, no cigarettes were thrown away; no sorrows, no emotions; no lines, no extra actions. In this way, like a model, standing still, for five seconds, turned and left.The slightly straight shoulders rallied and strode forward, but seemed to be half-struck. They couldn't really lift their heads and chests. The strides were vigorous and fast, but they seemed a bit thin. Light and shadow flowed quickly between the side face, the shoulder line and the forearm, sketching a light and lonely, but nothing more than that, fleeting."card!"
