Chapter 544: 544
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This answer is not only expected by Yan Jiuxi, but also beyond reason!
Why do you say that?
Because Yan Jiuxi has unconditional trust in Su mo. Rao is like this. She predicts that Su Mo's winning rate is only 56%.
But if Yan Jiuxi is more rational, in her opinion, Su Mo has no chance to win the game.
Not at all!
But in this case, Su Mo even said that she was 50% sure, which really surprised Yan Jiuxi.
At this moment, even Yan Jiuxi felt a little unable to understand Su mo. what kind of boy is this?
Looking at Yan Jiuxi, Su Mo couldn't help rubbing his hand on her small head and made a mess of the original soft hair.
"Oh, what are you doing?" Yan Jiuxi looked at Su Mo angrily. His small mouth was so pouted that he could hang an oil bottle.
"Girl, this is my punishment for you."
Su Mo said faintly: "no matter when, I will be your boyfriend. Of course, I will be your husband in the future. If you look at me with that strange look, be careful of the family law!"
"I didn't!"
Yan Jiuxi looked angry and turned his head to one side directly, but his heart was as sweet as honey.
Yeah!
No matter what time, the boy is her little stranger!
This will never change!
"Ding Ling -" the bell rang.
As soon as Annie came in, the art classroom suddenly quieted down. She stood on the podium and glanced around. When her eyes glanced over Su Mo, she stopped for a moment, and a complex look appeared in her eyes.
"Last class we drew horses, and everyone drew them very well."
Taking back her eyes, Annie said, "now I'll announce the class homework of this class, landscape painting!"
"You can draw real landscapes or imaginary landscapes in your mind. The time limit is 30 minutes."
As soon as the voice fell, all the students began to meditate, including Su Mo and Yan Jiuxi.
Landscape painting, good painting is not good painting!
It is not difficult to draw its shape, but it is as difficult as heaven to draw its spirit!
"Xiaomo, how should landscape painting be painted?" Yan Jiuxi looked at Su Mo for help. She didn't even start painting. She didn't know how to write.
"This is a little troublesome."
"It's all right, you said."
Looking at Yan Jiuxi looking for knowledge, Su Mo nodded helplessly.
"There are six points to pay attention to in landscape painting."
"What six?"
"The first point is conception. Conception is the soul of art works and the thoughts and feelings to be expressed by the author. The level of conception determines the moral depth and artistic charm of painting. If the composition is made without intention, it must be filled in with the pen without domination. The composition is made with" intention ", so as to produce an appropriate composition to complete the author's painting intention."
Originally, Su Mo thought these Yan Jiuxi should not understand, but seeing her serious thinking, she continued to say, "second, take the momentum!"
"The composition of landscape painting is mainly based on potential. The so-called" potential "is an image movement. In the ancient landscape painting theory, it has long been mentioned:" the landscape painting is large, and the main thing is to gain momentum. Although the mountain gains momentum, although it lingers high and low, the Qi pulse is still continuous. Although the forest gains momentum, although the participation is different, they are unobstructed, the water gains momentum, although strange and reasonable, that is, it is not mediocre at ordinary times, and the hillside gains momentum, Although staggered but not complicated. He Ze? For its reason. "
"Excellent landscape paintings always make people feel bold, but some paintings make people feel like rockeries or bonsai in the garden. The main reason is that they don't draw the momentum of the mountain." potential "is related to the perspective treatment. Some scenery can show its momentum through the perspective treatment."
"I seem to understand a little."
For Su Mo's words, Yan Jiuxi looked surprised and whispered, "Xiao Mo, you continue."
"The third point is the guest host relationship." Su Mo smiled in a low voice.
"A painting should have a theme and highlight its focus. Do not be scattered and separated. Treat them equally without a main fulcrum. The theme of the painting is the Lord, and the foil is the guest. To determine the host and guest, we should not only be clear about the host and guest, but also echo each other. We should not be independent. "
"If there is a guest without a master, it will be scattered, and if there is a master without a guest, it will be monotonous. Only when the host and guest arrange properly can the picture feel comfortable. "
"The fourth point is the treatment of deficiency and reality, density and severity."
"As far as the object of expression is concerned, in general, trees are dense, rocks are sparse, trees and stones are real, clouds and water are virtual, but sometimes the picture needs to treat the rocks as thick and solid, while the trees are simple and light. In general, rocks, buildings and trees are heavy, while clouds are light. "
"But sometimes the static things on the picture are large but light, and the moving things are small but heavy, which involves the treatment of the balance of weight and weight. The appropriate allocation of weight and size in landscape painting should achieve a balance that changes like the bar scale in Xia country, and the average of the scale must not be taken."
"When considering these aspects of a painting, the important words are virtual and real. In the processing of virtual and real, the processing of the four edges and four corners of the picture is very important, because it is related to the far effect of the picture, that is, the first feeling. Generally, the picture image should be parallel to the four edges, and the image dynamics should be diagonal. "“ And pay special attention to the taboo. The virtual and real treatment of the four sides and four corners are the same, and pay attention to changes. The so-called "white when black", often draw empty places with light ink or dry thick ink, and use a pen to be brief. A few strokes will be enough. "“ WOW! " Yan Jiuxi looked at Su Mo admiringly, his eyes full of small stars, "Xiao Mo, you know too much!"“ You! " Su Mo smiled at the girl's Qiong nose, "who told you to read only those autobiographical novels? Read more useful books. "“ There is a golden house in the book, and there is a face like jade in the book. I don't need to teach you this truth? "“ No. " Yan Jiuxi blinked and spit out his sweet tongue mischievously, "I'll just have you. Ask if you don't understand!" Su Mo: "..." seems to be the same! This is really... "There are two more points?" Yan Jiuxi smiled“ Fifth, perspective and light and darkness. " Su Mo shook his head and smiled faintly: "generally, painting dimming is very important, and its light source also comes from a single direction, so it is unified, but landscape painting generally does not emphasize light, and the light source does not necessarily require unity. It can be from many aspects. The lighting of most landscape paintings also adopts top-down or upper."“ There is also the last point, three overlapping two sections and opening and closing, which is very important! " Su Mo coughed, raised his eyebrows at Yan Jiuxi, said in a teacher's tone, "take notes. This is a must in the future.
Please report us if you find any errors so we can fix it asap!
This answer is not only expected by Yan Jiuxi, but also beyond reason!
Why do you say that?
Because Yan Jiuxi has unconditional trust in Su mo. Rao is like this. She predicts that Su Mo's winning rate is only 56%.
But if Yan Jiuxi is more rational, in her opinion, Su Mo has no chance to win the game.
Not at all!
But in this case, Su Mo even said that she was 50% sure, which really surprised Yan Jiuxi.
At this moment, even Yan Jiuxi felt a little unable to understand Su mo. what kind of boy is this?
Looking at Yan Jiuxi, Su Mo couldn't help rubbing his hand on her small head and made a mess of the original soft hair.
"Oh, what are you doing?" Yan Jiuxi looked at Su Mo angrily. His small mouth was so pouted that he could hang an oil bottle.
"Girl, this is my punishment for you."
Su Mo said faintly: "no matter when, I will be your boyfriend. Of course, I will be your husband in the future. If you look at me with that strange look, be careful of the family law!"
"I didn't!"
Yan Jiuxi looked angry and turned his head to one side directly, but his heart was as sweet as honey.
Yeah!
No matter what time, the boy is her little stranger!
This will never change!
"Ding Ling -" the bell rang.
As soon as Annie came in, the art classroom suddenly quieted down. She stood on the podium and glanced around. When her eyes glanced over Su Mo, she stopped for a moment, and a complex look appeared in her eyes.
"Last class we drew horses, and everyone drew them very well."
Taking back her eyes, Annie said, "now I'll announce the class homework of this class, landscape painting!"
"You can draw real landscapes or imaginary landscapes in your mind. The time limit is 30 minutes."
As soon as the voice fell, all the students began to meditate, including Su Mo and Yan Jiuxi.
Landscape painting, good painting is not good painting!
It is not difficult to draw its shape, but it is as difficult as heaven to draw its spirit!
"Xiaomo, how should landscape painting be painted?" Yan Jiuxi looked at Su Mo for help. She didn't even start painting. She didn't know how to write.
"This is a little troublesome."
"It's all right, you said."
Looking at Yan Jiuxi looking for knowledge, Su Mo nodded helplessly.
"There are six points to pay attention to in landscape painting."
"What six?"
"The first point is conception. Conception is the soul of art works and the thoughts and feelings to be expressed by the author. The level of conception determines the moral depth and artistic charm of painting. If the composition is made without intention, it must be filled in with the pen without domination. The composition is made with" intention ", so as to produce an appropriate composition to complete the author's painting intention."
Originally, Su Mo thought these Yan Jiuxi should not understand, but seeing her serious thinking, she continued to say, "second, take the momentum!"
"The composition of landscape painting is mainly based on potential. The so-called" potential "is an image movement. In the ancient landscape painting theory, it has long been mentioned:" the landscape painting is large, and the main thing is to gain momentum. Although the mountain gains momentum, although it lingers high and low, the Qi pulse is still continuous. Although the forest gains momentum, although the participation is different, they are unobstructed, the water gains momentum, although strange and reasonable, that is, it is not mediocre at ordinary times, and the hillside gains momentum, Although staggered but not complicated. He Ze? For its reason. "
"Excellent landscape paintings always make people feel bold, but some paintings make people feel like rockeries or bonsai in the garden. The main reason is that they don't draw the momentum of the mountain." potential "is related to the perspective treatment. Some scenery can show its momentum through the perspective treatment."
"I seem to understand a little."
For Su Mo's words, Yan Jiuxi looked surprised and whispered, "Xiao Mo, you continue."
"The third point is the guest host relationship." Su Mo smiled in a low voice.
"A painting should have a theme and highlight its focus. Do not be scattered and separated. Treat them equally without a main fulcrum. The theme of the painting is the Lord, and the foil is the guest. To determine the host and guest, we should not only be clear about the host and guest, but also echo each other. We should not be independent. "
"If there is a guest without a master, it will be scattered, and if there is a master without a guest, it will be monotonous. Only when the host and guest arrange properly can the picture feel comfortable. "
"The fourth point is the treatment of deficiency and reality, density and severity."
"As far as the object of expression is concerned, in general, trees are dense, rocks are sparse, trees and stones are real, clouds and water are virtual, but sometimes the picture needs to treat the rocks as thick and solid, while the trees are simple and light. In general, rocks, buildings and trees are heavy, while clouds are light. "
"But sometimes the static things on the picture are large but light, and the moving things are small but heavy, which involves the treatment of the balance of weight and weight. The appropriate allocation of weight and size in landscape painting should achieve a balance that changes like the bar scale in Xia country, and the average of the scale must not be taken."
"When considering these aspects of a painting, the important words are virtual and real. In the processing of virtual and real, the processing of the four edges and four corners of the picture is very important, because it is related to the far effect of the picture, that is, the first feeling. Generally, the picture image should be parallel to the four edges, and the image dynamics should be diagonal. "“ And pay special attention to the taboo. The virtual and real treatment of the four sides and four corners are the same, and pay attention to changes. The so-called "white when black", often draw empty places with light ink or dry thick ink, and use a pen to be brief. A few strokes will be enough. "“ WOW! " Yan Jiuxi looked at Su Mo admiringly, his eyes full of small stars, "Xiao Mo, you know too much!"“ You! " Su Mo smiled at the girl's Qiong nose, "who told you to read only those autobiographical novels? Read more useful books. "“ There is a golden house in the book, and there is a face like jade in the book. I don't need to teach you this truth? "“ No. " Yan Jiuxi blinked and spit out his sweet tongue mischievously, "I'll just have you. Ask if you don't understand!" Su Mo: "..." seems to be the same! This is really... "There are two more points?" Yan Jiuxi smiled“ Fifth, perspective and light and darkness. " Su Mo shook his head and smiled faintly: "generally, painting dimming is very important, and its light source also comes from a single direction, so it is unified, but landscape painting generally does not emphasize light, and the light source does not necessarily require unity. It can be from many aspects. The lighting of most landscape paintings also adopts top-down or upper."“ There is also the last point, three overlapping two sections and opening and closing, which is very important! " Su Mo coughed, raised his eyebrows at Yan Jiuxi, said in a teacher's tone, "take notes. This is a must in the future.
This answer is not only expected by Yan Jiuxi, but also beyond reason!Why do you say that?Because Yan Jiuxi has unconditional trust in Su mo. Rao is like this. She predicts that Su Mo's winning rate is only 56%.But if Yan Jiuxi is more rational, in her opinion, Su Mo has no chance to win the game.Not at all!But in this case, Su Mo even said that she was 50% sure, which really surprised Yan Jiuxi.At this moment, even Yan Jiuxi felt a little unable to understand Su mo. what kind of boy is this?Looking at Yan Jiuxi, Su Mo couldn't help rubbing his hand on her small head and made a mess of the original soft hair."Oh, what are you doing?" Yan Jiuxi looked at Su Mo angrily. His small mouth was so pouted that he could hang an oil bottle."Girl, this is my punishment for you."Su Mo said faintly: "no matter when, I will be your boyfriend. Of course, I will be your husband in the future. If you look at me with that strange look, be careful of the family law!""I didn't!"Yan Jiuxi looked angry and turned his head to one side directly, but his heart was as sweet as honey.Yeah!No matter what time, the boy is her little stranger!This will never change!"Ding Ling -" the bell rang.As soon as Annie came in, the art classroom suddenly quieted down. She stood on the podium and glanced around. When her eyes glanced over Su Mo, she stopped for a moment, and a complex look appeared in her eyes."Last class we drew horses, and everyone drew them very well."Taking back her eyes, Annie said, "now I'll announce the class homework of this class, landscape painting!""You can draw real landscapes or imaginary landscapes in your mind. The time limit is 30 minutes."As soon as the voice fell, all the students began to meditate, including Su Mo and Yan Jiuxi.Landscape painting, good painting is not good painting!It is not difficult to draw its shape, but it is as difficult as heaven to draw its spirit!"Xiaomo, how should landscape painting be painted?" Yan Jiuxi looked at Su Mo for help. She didn't even start painting. She didn't know how to write."This is a little troublesome.""It's all right, you said."Looking at Yan Jiuxi looking for knowledge, Su Mo nodded helplessly."There are six points to pay attention to in landscape painting.""What six?""The first point is conception. Conception is the soul of art works and the thoughts and feelings to be expressed by the author. The level of conception determines the moral depth and artistic charm of painting. If the composition is made without intention, it must be filled in with the pen without domination. The composition is made with" intention ", so as to produce an appropriate composition to complete the author's painting intention."Originally, Su Mo thought these Yan Jiuxi should not understand, but seeing her serious thinking, she continued to say, "second, take the momentum!""The composition of landscape painting is mainly based on potential. The so-called" potential "is an image movement. In the ancient landscape painting theory, it has long been mentioned:" the landscape painting is large, and the main thing is to gain momentum. Although the mountain gains momentum, although it lingers high and low, the Qi pulse is still continuous. Although the forest gains momentum, although the participation is different, they are unobstructed, the water gains momentum, although strange and reasonable, that is, it is not mediocre at ordinary times, and the hillside gains momentum, Although staggered but not complicated. He Ze? For its reason. ""Excellent landscape paintings always make people feel bold, but some paintings make people feel like rockeries or bonsai in the garden. The main reason is that they don't draw the momentum of the mountain." potential "is related to the perspective treatment. Some scenery can show its momentum through the perspective treatment.""I seem to understand a little."For Su Mo's words, Yan Jiuxi looked surprised and whispered, "Xiao Mo, you continue.""The third point is the guest host relationship." Su Mo smiled in a low voice."A painting should have a theme and highlight its focus. Do not be scattered and separated. Treat them equally without a main fulcrum. The theme of the painting is the Lord, and the foil is the guest. To determine the host and guest, we should not only be clear about the host and guest, but also echo each other. We should not be independent. ""If there is a guest without a master, it will be scattered, and if there is a master without a guest, it will be monotonous. Only when the host and guest arrange properly can the picture feel comfortable. ""The fourth point is the treatment of deficiency and reality, density and severity.""As far as the object of expression is concerned, in general, trees are dense, rocks are sparse, trees and stones are real, clouds and water are virtual, but sometimes the picture needs to treat the rocks as thick and solid, while the trees are simple and light. In general, rocks, buildings and trees are heavy, while clouds are light. ""But sometimes the static things on the picture are large but light, and the moving things are small but heavy, which involves the treatment of the balance of weight and weight. The appropriate allocation of weight and size in landscape painting should achieve a balance that changes like the bar scale in Xia country, and the average of the scale must not be taken.""When considering these aspects of a painting, the important words are virtual and real. In the processing of virtual and real, the processing of the four edges and four corners of the picture is very important, because it is related to the far effect of the picture, that is, the first feeling. Generally, the picture image should be parallel to the four edges, and the image dynamics should be diagonal. " And pay special attention to the taboo. The virtual and real treatment of the four sides and four corners are the same, and pay attention to changes. The so-called "white when black", often draw empty places with light ink or dry thick ink, and use a pen to be brief. A few strokes will be enough. " WOW! " Yan Jiuxi looked at Su Mo admiringly, his eyes full of small stars, "Xiao Mo, you know too much!" You! " Su Mo smiled at the girl's Qiong nose, "who told you to read only those autobiographical novels? Read more useful books. " There is a golden house in the book, and there is a face like jade in the book. I don't need to teach you this truth? " No. " Yan Jiuxi blinked and spit out his sweet tongue mischievously, "I'll just have you. Ask if you don't understand!" Su Mo: "..." seems to be the same! This is really... "There are two more points?" Yan Jiuxi smiled Fifth, perspective and light and darkness. " Su Mo shook his head and smiled faintly: "generally, painting dimming is very important, and its light source also comes from a single direction, so it is unified, but landscape painting generally does not emphasize light, and the light source does not necessarily require unity. It can be from many aspects. The lighting of most landscape paintings also adopts top-down or upper." There is also the last point, three overlapping two sections and opening and closing, which is very important! " Su Mo coughed, raised his eyebrows at Yan Jiuxi, said in a teacher's tone, "take notes. This is a must in the future.
